Exam I: Genres and Forms
Genres:
- chant(Gregorian)
- monophonic melody with a freely flowing, unmeasured vocal line; liturgical chant of the Roman Catholic Church.(also plainchant or plainsong); composed with neumes (custos is the note at the end of the staff that shows the coming note on the next line)
liturgical drama(morality play)- medieval drama, often with music, intended to teach proper values
organum- earliest kind of polyphonic music, which developed from the custom of adding voices above a plainchant; they first ran parallel to it at the interval of a fifth or fourth aand later moved more freely
mass(Middle Ages)- central service of the Roman Catholic Church
motet(13thc)- polyphonic vocal genre, secular in the Middle Ages
chanson- French polyphonic song, especially of the Middle Ages and Renaissance, set to either courtly or popular poetry
rondeau- Medieval and Renaissance fixed poetic form and chanson type with courtly love texts
virelai- Medieval and Renaissance fixed poetic form and chanson type with French courtly texts
ballade- French poetic form and chanson type of the Middle Ages and Renaissance with courtly love texts
saltarello- dance type; Italian ��jumping dance,�� often characerized by triplets in a rapid 4/4 time
ronde- dance type; lively renaissance ��round dance,�� associated with the outdoors, in which the participants danced in a circle or a line
allemande- dance type; German dance in moderate duple time, popular during the Renaissance and Baroue periods; often the first movement of a Baroque suite
motet(16thc)- sacred or devoitional polyphonic vocal genre
mass(Renaissance)- central service of the Roman Catholic Church
requiem- Roman Catholic Mass for the Dead
Forms:
- through-composed
- song structure that is composed from beginning to end, without repetitions of large section
strophic- song structure in which the same music is repeated with every stanza(strophe) of the poem
free-form- form is open
binary- two part (A-B) form with each section normally repeated
ternary- three part (A-B-A) form based on a statement (A), contrast or departure (B), and repetition (A)
theme/variations- compositional procedure in which a theme is stated and then altered in successive statements; occurs as an independent piece or as a movement of a sonata cycle
virelai- AbaAabAB
ballade- French poetic form and chanson type of the Middle Ages and Renaissance with courtly love texts
Ordinary of the Mass:
-kyrie, gloria, credo, sanctus, agnus dei